‘All Clear’ by Connie Willis – a review

This feels awkward, because ‘All Clear’ is not so much a sequel, but is in fact a second half of its counterpart, the earlier novel, ‘Blackout’, which I reviewed prevously here. My assessment of ‘Blackout’, could be described as “tepidly enthusiastic”. I was so enthralled by her work,’To Say Nothing of the Dog’, and was primed for some wild kind of “book-gasm” with ‘Blackout’. Well, I was disappointed, but hopeful as I launched into ‘All Clear’.

When I wrote my little review of ‘Blackout’, I should explain that I had no conception of Ms. Willis’ stature and success in the SF/F genre. Holy cow! Ten Hugo Awards, seven Nebula Awards, (which INCLUDES the award for ‘Blackout/All Clear’), and a flotilla of nominations besides. So why, I ask myself, does this monumental and highly regarded dyptych still leave me unimpressed, and, frankly, a bit confused?

I think it comes down to this: that some “genre writing” (as one author recently referred to a conglomerate of SF/F/YA books) doesn’t necessarilly require nor focus on STORY as its main staple for the reader, or maybe a tight, well-crafted story. The Aristotelian model of beginning, middle, end, with lovely, crisp story-arcs, that sail and rebound like the path of a tennis ball in a spirited volley; THAT is what I was left craving as I read through the 1000+ pages of Willis’ masterpiece. This book hinges much more on setting, atmosphere, the ephemera of bric-a-brac, costuming, the tinge of colors borrowed from other literature of the time and place of which she is writing. It IS brilliant, and wonderful in its way, and necessitates a wholly different approach to the reading of it to extract and enjoy its savor.

Alas, it requires work and patience.

Two other comparisons come to mind: these books flow and feel a bit like quest-gaming. Reading them reminds me of my hours spent in the world of Zelda-Twilight Princess. There’s such sumptuous detail, and a grinding journey through a hazardous world. The other comparison I would make is that of listening to complex music. You cannot breeze through a 40 minute sax improv by John Coltrane, and you cannot breeze through ‘Blackout/All Clear’, but you would do very well to devote the energy and attention to either.

The fault in my earlier take is one of learning to appreciate a different kind of reading. I will try to get better at it, for it does have its rewards…

Jasper Fforde – ‘One of Our Thursdays is Missing’

One of Our Thursdays Is Missing (Thursday Next, #6)One of Our Thursdays Is Missing by Jasper Fforde
My rating: 4 of 5 stars

In the wake of reading the most recent Thursday Next novel, ‘One of Our Thursdays is Missing’, I found myself reaching for an earlier volume,’First Among Sequels’ and re-reading it, in doing so, I discovered that ‘One of our Thursdays…’ is actually a kind of re-boot of ‘First Among Sequels'(TN-5).

This is interesting, because I hadn’t realized that the practice was becoming commonplace, or could work so well, but I’ve noted it in the work of at least one other writer in my reading of late (John Scalzi’s ‘Zoe’s Tale’, as a re-working and re-release of ‘The Last Colony’).

And in this case, Fforde hasn’t actually re-written TN-5, but he HAS appropriated a lion’s share of the groundwork of the earlier novel, and re-imagined it afresh. In ‘One of Our Thursdays…’ he provided yet another construction of his BookWorld, with vast interconnected islands of the genres, transit between them in flying taxis, the mechanics of life for its populace, to include the sundries of life as a book character, the politics of the place, and the special role of his heroine, Thursday, in stabilizing it all.

The real Thursday Next is, as you probably know, an Outlander; not of the BookWorld, but deeply concerned with safeguarding it. Then there are the various iterations of the “written” Thursday Next. Both of these novels hinge deeply on the relationship and interaction of the real Thursday and her written representations.

All of this material is the mortar and brickwork of the newest TN novel. Re-visiting ‘First Among Sequels’ has made that much clear to me. That said, I’m also delighted to report that the additional work does no harm to the earlier book, and magically avoids feeling stale or repetitious in the new one. The whole TN canon is a wonder of imaginative, playful, literary delights. My hope is that Fforde tries this approach again.

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‘True Grit’ ; the Coen brothers ride again!

The “western” in Amercan cinema was never one of my favorite genres in my youth. My father had a taste for “cowboy shows” on television back then, and I never much cared for them. I think the stylization and falseness of the archetypical towns, “good guys”, indians, crooks, cavalry, et al, just added up in my kid’s mind to so much phony dreck.

Since then, there have been a number of western films that have won me over: ‘McCabe & Mrs. Miller’ comes to mind, along with ‘Silverado’, and ‘Jeremiah Johnson’. To those, I can now emphatically add the Coen brothers’ ‘True Grit’. It has a clarity and honesty throughout that just never lapses. The settings, costuming, language, action, story and music are convincing and with a “rightness” that is nearly flawless.

I was surprised to read on wikipedia that it was filmed, edited and brought to market in very short order, with a shooting schedule that started in March of 2010, in time for a “Christmas” release on December 22 that same year. The notes in wikipedia, however, don’t report exactly when set construction or any of the other heavy lifting of other pre-production began. The project was rumored as early as February, 2008.

My admiration for the flick derives almost entirely from the authenticity of these western characters, and, too, how clearly this is a western story told from a young woman’s perspective, or, more accurately, a precocious child pressed into early adulthood through unfortunate circumstances. It is Mattie Ross’ “true grit” which drives the story, not the force of Marshal Rooster Cogburn’s fading “grit”, or the staunch honor of the Texas ranger, LaBoeuf. Mattie is beautifully played by newcomer Hailee Steinfeld, Cogburn by Jeff Bridges, and LaBoeuf by Matt Damon. While Steinfeld and Bridges both scored Academy nominations (Best Actor and Best Supporting Actress), it was Matt Damon who better deserved an honor for transforming himself within his role. He was not recognizably himself, and became the spit and image of the rough but knightly Ranger LaBoeuf.

If an honest “western” is your thing, and you missed this one, or if you, like me, cannot let one of the Coen Bros. films pass you by, be sure to see this one when you can. The dvd/blu-ray disc was released on June 7th. And if you know of other western films you think I might like, please put it in a comment to me below, and I’ll give it a try. Thanks!